LAYER MASK MAGAZINE | PRO EDU

DIVE INTO THE MIND OF AN ARTIST AND THEIR PSD

Layer Mask Magazine | PRO EDU

Layer Mask is the perfect way to get to know an artist's workflow and see their work in print format. Each issue features a different photographer and dissects the steps they took to create their image, from the RAW file to the finished product. You'll be able to download the PDF and ePUB versions of each issue so you can follow along and learn from the best!

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JAKE HICKS - ISSUE NO. 1

Having been a freelance photographer for over a decade, I have been fortunate enough to be involved with some very varied and influential clients. They have chosen me to represent their companies image and ideals because my work is always about ensuring a progressive aesthetic to any given campaign, with my results always standing out for the right reasons.

LAYER MASK:

Layer explores an artist and their PSD in a written but visual format to breakdown the anatomy of their work, their industry, and their profession. 

UNLOCK EVERY LAYER:

Download the PDF and ePUB version for every issue to get to know an artist, view their work and look behind the scenes at a PSD and how they took the RAW image and created it, layer by layer. You will receive both formats when you sign up for the magazine.

FREE:

Layer Mask is FREE. We appreciate your support and love to dive into the minds and workflows of artists in a fun way.

Kate Woodman is a portrait photographer and is featured in volume two of Layer Mask Magazine by PRO EDU

KATE WOODMAN ISSUE NO. 2

Born in Darmstadt, Germany, Kate Woodman was brought up in Connecticut and currently calls Portland, Oregon home. A structural preservation engineer by training, Kate developed her love of photography in 2011 while investigating earthquake damage in New Zealand. What began as a compulsion to document the environment expanded into a fascination for capturing portraits. This, in conjunction with her love for all things classical, render her aesthetic clean and timeless—a nod to the past but assuredly modern in appeal.

GEMMY WOUD-BINNENDIJK ISSUE NO. 3

Her creative path began with liquid pigments and a brush, but, as life so often does, her path took her away from painting. In claiming space for her creative practice, Gemmy, picked up a camera and started experimenting. “This became a way for me to paint again” Through the manipulation of light and pixels, Gemmy began creating work that exists somewhere in-between painting and photography.

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