Drawing inspiration from her years as a painter, Gemmy Woud-Binnendijk creates painterly portraits with a camera. Her imaginative concepts, meticulous planning, and attention to every detail result in portraits that belong on museum walls. Gemmy shares her understanding of historical approaches to lighting, wardrobe selection, and character-building before taking you into Photoshop where she gives her portraiture the final polish.
An introduction and overview of the Fine Art Portraiture series with photographer, Gemmy Woud-Binnendijk
Capture Test (12:35)
Observe the iterative process of creating a solid base image for a composite concept. From gear setup, light and camera settings, focal point, catch light placement, and key/fill light balance.
Image I (11:15)
Learn more of the iterative process as Gemmy adjusts details in the model’s pose, styling and relative lighting. Learn to pre-visualize elements of the composite image during production.
Image Preparation (14:35)
Work with the final Flamingo concept in Photoshop and prepare the composite base for retouching. Add compositing elements and bring the color and light into balance with Photoshop Helpers.
Mask Adjustments (5:53)
Observe best practices when masking to make effective masking adjustments for convincing compositing, using native photoshop tools. Use blurring and paint strokes to enhance the compositing.
Creating Depth with Shadows (14:00)
Identifying flat areas in the base composite and targeting areas to build shadows based upon the production light source. Learn to build dimension with shadow and light. Paint with a variety of shadow techniques, developing a layered approach, creating a soft, natural diffusion.
Shading with Layers (6:40)
Review areas to apply the shading technique and consider best practices for creating a realistic composite with dimension and shape. Considerations around a layer based shading approach
Basic Cleanup (6:28)
Refine the composite to remove halos. Create a simple skin retouch.
Frequency Separation (9:27)
Refine layer organization and manually build and apply Frequency Separation to subtly hone the skin tones and support the painterly look.
Dodge & Burn (7:43)
Add more dimension and depth to the composite by creating more refined shadows and highlights with Dodge and Burn and Channel Masks. Isolate specific areas for subtle additions of contrast in the highlights. Enhance the image with Selective Color
Refining Shadow & Light (14:15)
Push the concept to completion, finalizing the painterly look
Pose I (15:20)
Observe the process of working with a child model to create the primary pose for a composite image
Pose II (14:27)
Observe the process of working with a child model to create a additional supporting poses for a composite image
Pose III (8:27)
Observe the process of working with a child model to create a variant pose for a composite image
Pose IV (10:09)
Observe the process of working with a child model to create the final pose for a composite image
Image Preparation (10:18)
Prepare all of the image elements in order to build a composite. Create basic masks for the 4 separate poses created in production. Create a proper ratio between each of the image poses and hone the balance of the overall composition.
Refine the basic masks with an overview for each pose to build a seamless integration with the background. Setup up the base composite of a bird for an additional story element
Add dimension to the bird with convincing shading for a realistic composite
Retouch a variety of elements to move the image towards the final composition
Dodge & Burn (4:52)
Use dodge and burn to create richer falloff between contoured shadows and specular highlights
Color Grading (12:54)
Dial in the color with adjustments to push further towards the painterly look and feel
Final Touches (9:27)
Apply the final grading to the composite image
Homework Assignment (1:48)
Apply all of the skills from the series to a custom Gemmy Woud-Binnendijk image, captured specifically for this tutorial series. Create your own Fine Art Portraiture composite image.
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